Cláudia Barros has ants in her pants and doesn't know how to sit still. Around her discoveries in the design world, she ends up falling in love with a variety of areas, from analogue to digital. If she isn't with her head on designing, she's cooking up something else on the oven. Cláudia likes to let herself be carried away by people's enthusiasm and takes a little piece of each person, each place, for herself. Always ready for the next great adventure!
claudiabarros2002@gmail.com
designed & developed
© Cláudia Barros 2025
Small publication of 'Três Ficções' by argentinian author, Jorge Luis Borges, exploring the front cover, back cover, and 19-20th century frontispieces and colophons, with Chancery Hand.
— Cláudia Barros
— 2023
For Confeitaria Império, one of Porto's oldest cafés, I redesigned by respecting its history, through research that led to a custom typeface, inspired by its original calligraphy and period typefaces.
— Cláudia Barros
— 2022
Exploring Jan Tschichold's legacy, from his pioneering New Typography to his later return to classical methods, this exhibition and its identity were designed to reflect his evolving thought.
— Cláudia Barros
— 2022
An A4 black-and-white magazine case study of 'Criação do Fundo de Turismo e o Boom da Década de 60', inspired by Brazil's 'Literatura de Cordel and 1980s U.S. editorial commercials.
— Cláudia Barros
— 2024
In an irreverent aspiration, with Tool's experimental track 'Eulogy', this video and identity explore psychedelia and sound progression, with Processing developed animations, evoking illusions.
— Cláudia Barros, Inês Gonçalves, Leonor Gonçalves, Ricardo Sousa
— 2022
Happy Cookie is a brand inspired by cooking as experimentation, built around the joy of a sweet bite. The identity and menu, were based on serotonins formula and periodic-table system for flavors.
— Cláudia Barros, Mafalda Silva, Maria Coutinho,
Margarida Silva, Rui Marques, Sofia Paiva
— 2022
Transposing from the universe of sounds to physicality, associating sight and touch, the three timbres of musical instruments are materialized in an allusion that characterizes sound production.
— Cláudia Barros, Inês Gonçalves
— 2022
A territorial identity project narrating Miramar's history in three moments — Martii, Memento, Modernus — from its first inhabitants and 'Senhor da Pedra' cult, through expansion, to decline and a future proposal.
— Cláudia Barros
— 2023